And because in this film, she is not trying to get home, but rather rescue Oz—her dream. She lives, head mostly firmly attached, in central Florida. IMDB also lists Whippendell Woods near Watford in Hertfordshire as a location. Aunt Em (Piper Laurie) and Dorothy arrive at the clinic. A brilliant, whimsical, dark and compelling world that you'll be sorry to leave when the movie's over. So perhaps it’s not so surprising that it took 46 years for a sequel to appear (alas, far too late for the hopes of Ruth Plumly Thompson), financed by Disney, who also paid a small fortune for the rights to use the ruby slippers. Return to Oz is a 1985 movie released by Disney based on the original Oz books by L. Frank Baum. For two, even though the film is far closer to the John R. Neill illustrations (in most cases marvelously so), it is less true to the actual characters. Thank you for keeping the discussion, and our community, civil and respectful. Return to Oz The plot for Return to Oz is loosely based on L. Frank Baum's second and third novels of the fourteen books in the original Oz series: The Marvelous Land of Oz (1904) and Ozma of Oz (1907), both written by Baum to serve as sequels to The Wonderful Wizard of Oz (1900).

Oz here is not an escape, not a place of wonder and brilliance mingled with fear, but a place where the magic and wonder has been frozen and nearly destroyed, where Dorothy, instead of encountering magic, must restore it. Given that she’s been electrocuted, hit on the head, and barely escaped a deadly fire, it’s easy to think she might, again, be hallucinating, and this time, more darkly. Because yes, Oz may still be a dream. Nurse Wilson (Jean Marsh) appears from the building to search for the girls.

(I continue to believe that the movie farmhands headed somewhere safer for small dogs and with fewer cyclones, but I have no evidence for this.

This reflects either an extreme predictability in Baum's style, or an amazingly successful use of archetypes on the part of both Baum and the film's creators. Return to Oz -The 1985 Fantasy movie featuring Fairuza Balk and Nicol Williamson at the award winning 80s Movies Rewind. It's unconnected to the 1939 MGM classic The Wizard of Oz. I was originally meant to play Tik-Tok, but a back problem I received during Greystoke put pay to that. Likely to be Salisbury Plain, this time with a prop church for effect. Screen captures uploaded by Phil Wilkinson from source material provided by John Tunstill. Locations Manager: Grania O'Shannon, Release Date: 21 Jun 1985 It is, and it isn’t, a sequel to the earlier film, and is, and isn’t, the books: often confusing, often dreamlike, often emotionally powerful. Unlike its predecessors, which put Oz firmly into dream territory (the 1939 film) or reality (the original books), Return to Oz takes a firm middle ground, refusing to reveal whether Oz is real or not. An unknown location that may be another set. Older children should be fine. If you have any information regarding this film, any of the stills, or even better, some NOW shots please contact us. The start of a tilt shot showing Dr. Worley's clinic. Production Company: BMI (No 9) Ltd, Oz Productions Ltd, Silver Screen Partners, Stars: Fairuza Balk, Jean Marsh, Piper Laurie, Nicol Williamson, Matt Clark Set 6 months after the tornado, it begins with poor Dorothy Gale (Fairuza Balk) lying awake in bed, unable to sleep thanks to a preoccupation with the fictitious Oz. In this land, no one sings, or dances, or changes colors: indeed, some of the dancers are shown frozen in place, hands uplifted, in a rather horrible parody of scenes from the earlier film. MPAA Rating: PG Two warnings: one, either the original film was filmed poorly and fuzzily, or this is one of the worst film to DVD transfers ever.

That exploration, that acknowledgement of thinness of those lines (spoken, I must add, by some of the very real, mundane characters in the first part of the film) helps give this film its many magical moments. We are always looking for more location identifications, information, snippets, anecdotes or references. The end of the film, true, does show her reuniting with old friends in Oz (although for budget reasons the Tin Woodman and the Cowardly Lion don’t get to speak), but for the most part, this is a Dorothy isolated and alone. Dorothy wakes up in a chicken coop, with her companion Billina, the talking hen. As a very small child, I delighted in the antics of the bumbling Tin Man and Cowardly Lion and sang along with "We're off to see the wizard...", so my mother considered it an act of charity when she rented me the "sequel".Return to Oz is not a film for small children, mind you. It's my favorite movie - if you've not seen it yet, go rent it.

Just two brief examples: Jack Pumpkinhead is transformed from a lugubrious, slow, but clearly adult character into a young (if exceedingly tall) child, and Billina, that ever practical but kindly chicken has been made—dare I say it? It is even more fearsome than the 1939 movie Oz ever was, if filled with considerably fewer flying monkeys. And of course, by the time the 1939 film did start reaping huge profits (thanks to the annual television broadcasts, beginning in the 1950s) it was an established classic that no one wanted to tinker with (er, until this year, when a vocal and highly negative reaction from the internet demonstrated that viewers still don’t want the original tinkered with.) I originally assumed something was wrong with the TV, the DVD player or my glasses, but having tested the DVD on different devices and sets of eyes, it’s definitely the DVD. Dorothy looking through the gates of Oz in Return To Oz, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), © 2020 Macmillan | All stories, art, and posts are the copyright of their respective authors, Din Djarin Is on a Quest in The New Teaser for, Ten International Horror Movies to Stream This Halloween, Understanding and Writing Horses: Training and Instinct, The Difference Is Entirely One of Setting: Iain Banks’, Something in the Water, Something in the Air: Kaaron Warren’s “The Diesel Pool”. Dorothy also meets Tik-Tok, the "Royal Army of Oz", a friendly copper robot.Another classic villain, Mombi has the ability to swap heads, and keeps a room full of severed, yet mysteriously still alive, female heads in glass cabinets, and trades them out at will. Any sequel would be, like the original film, and enormous financial risk, and if the original film had proved anything, it was that Oz did not come cheaply.
Writer: L. Frank Baum, Gill Dennis, Walter Murch It was then down to an audition from the chosen puppeteers as to who would perform Billina, and I was the lucky winner. For the most part, the acting is excellent (the exception is the unfortunate girl playing Ozma, who, in her defense, was not given much to work with and a role that makes little sense). Their leader, played by the brilliantly weird Pons Maar, leads them to Mombi's palace.

Toto (Tansy) howls as Dorothy is taken to see Dr. Worley.

Or not.

), This second, and far more interesting, part of the film draws from The Marvelous Land of Oz, Ozma of Oz, and, well, Labyrinth. FANDOM Games Movies TV Video Wikis Explore Wikis Community Central Start a Wiki Search Sign In Don't have an account?

Worried and exhausted with Dorothy's insomnia and farfetched tales, Aunt Em (Piper Laurie) and Uncle Henry (Matt Clark) resolve to send her to a clinic for shock therapy. It’s well worth checking out by both Oz and fantasy fans alike. To withdraw your consent, see Your Choices. She soon starts suffering from insomnia and Aunt Em sends her to the hospital. Register Start a …


Return to the land where the adventure began. Thanks to a bad combination of incompetent doctors, unreliable electricity, major thunderstorms, and Dorothy’s continued inability to respect bad weather and stay indoors, Dorothy ends up, seemingly not electrocuted, but back in Oz, via, somewhat inexplicably, what seems to be the Gulf of Mexico (the timeline and filming of this makes little sense, but it is, after all, Oz), and accompanied, even more inexplicably, by her pet hen from the farm, who had not—I think this is significant—gone with her to the asylum. (Mak Wilson - Puppeteer/CGI Animation Director with Jim Henson's Creature Shop).

In part, this was because the original film hardly seemed to call out for a sequel, ending, as it had, with the firm statement that Oz was only a dream, and Dorothy would never be going back. At their core, the Oz books featured friendship. Underneath his stone robes, however, he wears none other than the Ruby Slippers!Return to Oz is a beautifully crafted film, both visually and psychologically.

Em leaves Dorothy at the mercy of the "head" nurse and her pasty-faced assistants.

Return to Oz Date: 1985 Director: Walter Murch Production Company: BMI (No 9) Ltd, Oz Productions Ltd, Silver Screen Partners Stars: Fairuza Balk, Jean Marsh, Piper Laurie, Nicol Williamson, Matt Clark Location(s): Hertfordshire, Wiltshire I was the lucky one to have my hand where the sun don't shine! (Upstairs, Downstairs fans, on the other hand, should prepare themselves for a severe shock at the sight of Rose taking on such a visibly nasty role.) Given the success of the 1939 film The Wizard of Oz, it seems perhaps surprising that filmmakers did not immediately rush to make a sequel—especially given that they had at least 13 more stories very readily available, not to mention a still living Royal Historian of Oz, Ruth Plumly Thompson, actively pushing for film versions of her Oz tales. Certain elements—a key, mirrors, final glimpses of Oz, suggest that Oz is quite, quite real. True, the limited budget shows in far too many shots (particularly after the Scarecrow appears, demonstrating just why MGM was wise not to make their Scarecrow resemble Neill’s illustrations). Producers: Colin Michael Kitchens, Gary Kurtz, Paul Maslansky Locations in Return to Oz. All comments must meet the community standards outlined in Tor.com's Moderation Policy or be subject to moderation.


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